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Wrapping up the Vampire Academy series

Richelle Mead has set some pretty high expectations as this series has unfolded, and she definitely delivers with the sixth and final novel, Last Sacrifice.

(This post will double as a review for both Last Sacrifice and the fifth book in the series, Spirit Bound.  As with past reviews of this series, this post won’t provide spoilers to anyone who’s read the first four books, but it will for those who haven’t…)

You can read reviews of earlier books (and plot set up) elsewhere on this blog (Vampire Academy and Frostbite, Shadow Kiss and Blood Promise).

First up, a quick look at Spirit Bound, which picks up after Rose’s violent Russian adventure.

A lot happens in this book, with the myriad of plot threads starting to draw together, setting up for some major action in the final book – on a number of fronts. There’s further development in Mead’s detailed mythology, as well as some serious progression in the story of arcs of key characters.

The main plot here is Rose’s continued fight to save Dimitri, even though she’s now with Adrian. She comes up with a crazy plan that also involves Lissa, Eddie and her nemesis, Victor Dashkov. But even when Rose’s plan comes to fruition, the result is not quite what she expects.

Meanwhile, there are major rumblings at the Moroi Court, with paranoid royals wanting to drop the guardian age of service to 15. Spirit Bound ends with a classic cliffhanger, with the Queen murdered and Rose arrested on suspicion of being the killer.

It’s a testament to Mead’s ability to write likable characters and build realistic storylines that she can create a believable love triangle. Yes, even I – the great hater of love triangles – thought this one worked. To the point that (at the end of this book, at least) I would have accepted either choice by Rose.

That changes through the course of Last Sacrifice…

The final novel has two main storylines: Rose’s hunt for an illegitimate Dragomir – whose existence will give Lissa a voice in the Royal Court – and Lissa’s attempts to clear Rose’s name.

This novel is as much Dimitri’s story as it is Rose’s. He helps break Rose out of prison, and goes on the run with her – at first because Lissa asks him to, and then because he recognises he has a chance for redemption (and seriously, who doesn’t love a good redemption story?).

Looking back across all six books, there’s been real character growth for just about every key character, which is one of the things that sets this series apart from others in the YA paranormal genre.

Rose’s relationships with Dimitri and Adrian are complex, and not everything gets tied up with a neat bow. Which works out quite well, given Mead has a new series coming out later this year featuring some of those characters whose issues are yet to be resolved.

All the big questions set up in the series are answered, but there are plenty of others – involving peripheral characters and issues – that give scope for many more stories in this world Mead has created.


Blood Promise – Richelle Mead

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Can I say again how much I wish the covers to this series were a little edgier? This is such a quality YA/cross-over series, but the cover art does it no justice (no offence to everyone involved but it put me off for a long time).

OK, now I’ve got that out of the way… what follows is look at the fourth book in Richelle Mead’s Vampire Academy series (past reviews here and here). If you’ve read the first three books but not this one, you won’t find any spoilers here. If you haven’t read the other books yet – and plan to – stop reading now!

Blood Promise takes Rose and the series into new and darker territory, as the dhampir goes on the hunt for Dimitri in Russia. It’s not giving too much away to say that Rose meets a long list of interesting characters with mixed motives.

The clever plot device allowing Rose to see the world through Lissa’s eyes proves very handy. It allows a change in perception, the appearance of familiar characters, and also creates another thread of tension.

Occasionally the perception shift raises some time continuity issues, but it works well to show how Lissa copes without Rose and their bond (no prizes for guessing the answer there).

What Mead does particularly well in this book is deal with the issue of addiction. Rose struggles with the ultimate temptation in Russia and doesn’t always succeed in resisting it. It’s incredibly frustrating to watch Rose – usually such a hot-headed fighter – give in to the oblivion, but it at least gives her experience a sense of truth. And makes her ultimate choice that much more meaningful.

We learn more about the nature of Strigoi, and the social attitudes of dhampir away from the walls of the heavily structured St Vlad’s campus. There’s real growth in Rose and Lissa’s relationship as well – paralleling the changing dynamic between the Moroi and their dhampir guardians.

All in all, this is a good addition to the series, setting up plenty of conflict and plot development for Spirit Bound (the second last in the series). There are so many threads at play here, I’m curious to see how Mead will pull them all together in the next two books.

I’m late to the party – Vampire Academy

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OK, so let’s just call this a lesson in not judging a book by its cover.

I’ve been walking past Richelle Mead’s Vampire Academy books at my favourite book store for a while now (two years, in fact). The covers didn’t grab me, and neither – to be honest – did the synopses.

Granted, I picked the first one up in the middle of Twilight mania, and wasn’t quite ready to become so vampire-centric in my reading (a quick flick through this blog will reveal I’ve since overcome any such concerns.)

But with all the fuss over the release of Spirit Bound in recent weeks, I thought it was time to check out the first book.

A week ago I ordered Vampire Academy from the library. Devoured it. Immediately ordered the second book (Frostbite). Devoured it. Today, I went to the aforementioned book shop and bought all five books.

The only good thing about dragging my heels for so long on this is that I now have immediate access to all five books (with a sixth due out in December, I believe), which doesn’t bode well for all the other things I need to do in my life…

So, for those of you catching on late, like me, here’s a quick overview (don’t worry, there’s no spoilers):

The series is set in a meticulously imagined world of elite pacifist vampires (Moroi), their not-quite-human guardians (dhampirs) and the murderous vampires who stalk both classes of beings (Strigoi). Rose is a dhampir and the guardian of Lissa, her best friend(who’s also a member of a royal Moroi line). The story opens with their recapture after being on the run for a year, and then explores the threats that drove them away from their home – the academy of the title – and the threats that still linger.

I know I’m forever talking about great narrative characters, but Rose is particularly unique in the world of YA. She’s tough, smart-mouthed and promiscuous, and frequently makes bad decisions. But underneath her abrasiveness and hot-headedness is a fierce protectiveness of Lissa, which anchors her erratic and impulsive life.

Things for Rose become increasingly complicated when she’s forced to train with experienced dhampir guardian Dimitri. They fight (verbally and physically), and even as she resents his discipline and focus, she craves his approval – and ultimately his affection.

The best thing about Rose is she’s real. She behaves like a conflicted teenager. She doesn’t always do the right thing, even in the face of her growing responsibilities as a guardian. Of course, her bad choices always come to back to bite her, and she’s not oblivious to the irony.

Contrasting Rose’s strength is Lissa’s fragility and vulnerability (in the first book at least). The nature of first person narrative means she’s a more distant character (although there’s a clever plot device that offers occasional glimpses into Lissa’s view), yet it’s easy to understand Rose’s desire to protect her.

Richelle Mead doesn’t shy away from tough topics in Vampire Academy, tackling self harm, bullying and teenage sex, which really gives the opening book an extra edge.

The tension increases in Frostbite with a brutal Strigoi attack on a royal Moroi family. It not only puts the vampire community on edge, it brings Rose’s estranged mother (who happens to be a legendary guardian) to the academy. The entire school heads to the snow for the academy’s annual ski trip, and with Moroi, guardians, parents, rejected lovers and competing egos thrown together, it can only lead to trouble.

For Rose, of course, not all of that trouble comes from external sources. In this second book, her biggest challenge is learning self control. She’s caught between the pull of two worlds:  that of a rebellious and reckless outsider, and that of selfless, disciplined guardian.  What makes her such a textured character, is that she also doesn’t necessarily learn her lesson the first time around.

And in Frostbite, the learning curve is steep, with much higher stakes.

So, yes, there’ll be more reviews to come as I read the rest of the series.

(And yes, I’ve also bought a copy of Succubus Blues, the first in Richelle Mead’s adult series, so I’ll get to that soon too.)